Whether it’s Julius Eastman’s “Prelude to the Holy Presence of Joan of Arc,” Beethoven’s “Missa Solemnis,” or Anthony Davis’s “X: The Life and Times of Malcolm X,” listening to Davóne Tines sing is like watching rock climber Alexander Honnold free solo up El Capitan: You’re struck by the raw power and voltage of his stentorian […]
Tag: Vocal Music
Posted inStuff I’ve Been Hearing
Just Like Holy Mary
“Vespro” & “Vespro della Beata Vergine” It’s rare that a new recording of a repertoire staple becomes a catalyst for a real-life version of the math lady meme, but Raphaël Pichon is exactly the sort of conductor you’d willingly follow down a rabbit hole. Given the relative recency of the Monteverdi revival, it’s also surprising […]
Posted inProfile
The Threshold of Change
Juliet Fraser is on sabbatical. “Actually,” she corrects me, “it’s a semi-sabbatical”—she’s still performing, but only sparingly. Mostly, she’s taking some long-overdue time to breathe, and to devote more attention to her other spinning plates. (She keeps several in the air, no matter the season.) When I call her early on a Friday morning, she […]
Posted inInterview
A Spiritual Condition
200 years ago, Schubert completed his sleek and touching song cycle “Die schöne Müllerin.” When tenor and lieder expert Christoph Prégardien sings the work, his voice has a lean tone and a silvery shimmer; each verse seems to flow out of him, both freshly invented and fully formed. Prégardien’s voice embodies Schubert’s actual protagonist: a […]
Posted inStuff I’ve Been Hearing
Where Past and Future Are Gathered
“The Beginning and the End” Earlier this summer, I was in Athens with Joyce DiDonato and the orchestra Il Pomo d’Oro as part of their EDEN tour—an ambitious multi-year program that will see the musicians perform on six continents and offer a host of workshops for local children’s choirs. While DiDonato and I shared a […]
Posted inStuff I’ve Been Hearing
Symmetries of Desire
There are tenors who fuck, and then there are tenors who fuck. Sure, hearing Jonas Kaufmann pump out “Winterstürme” is good for some heady thrills, and I wouldn’t not tuck Jussi Björling’s “Ch’ella mi creda” in my hope chest. But let’s talk for a moment about the ténor de grâce. At first blush, they may […]
Posted inEssay
A Chained Man’s Bruise
“You get this idea of someone knowing that something is not right,” experimental vocalist Elaine Mitchener says of Peter Maxwell Davies’s “Eight Songs for a Mad King.” “It’s askew. You know the headache you have when you have a migraine—you can’t actually see something in front of the eye? That’s how I feel with this: […]
Posted inStuff I’ve Been Hearing
Children of History
The late (do I even have to say “great”?) Tina Turner’s first songwriting credit remains an anomaly in her canon: a riff on “City Called Heaven,” with some of the original text interspersed with Turner’s own lyrics. It’s a delicate arrangement, just Turner’s voice in its fathomless low range and Ike Turner’s slightly hollow-sounding blues […]
Posted inInterview
Upsetting Simplicity
In April, tenor Ian Bostridge released his latest book, a brief meditation on the intricacies of vocal interpretation in music by Monteverdi, Ravel, and Britten titled Song and Self: A Singer’s Reflections on on Music and Performance. In May, he gave a recital at the Boulez Saal in Berlin, with pianist Julius Drake, of works […]
Posted inPlaylist
A “Dichterliebe” All-Stars Playlist
It’s almost the “wondrous month” of May, and while Berlin has clearly decided that the 2023 vibe is icy weather and police brutality, not birds and blossoms, it’s never too late manifest the tardy appearance of spring. In that spirit, here is a playlist that, taken together, forms an “ultimate” version of Robert Schumann’s “Dichterliebe,” […]