In his dazzling, fragmentary book A Lover’s Discourse, Roland Barthes wrote, “Language is a skin: I rub my language against the other. It is as if I had words instead of fingers, or fingers at the tip of my words.” When I first encountered this analogy in my early 20s, I felt somehow relieved. I […]
Tag: LGBTQIA+
Posted inProfile
epistle; possessive
I. At 12:27 on September 30, you wrote me three lines that read “Just caught TV glimpses of dreadful flooding in New York.Hope you are OK.M xx” I replied only much later, half-past, (you, surely asleep) My darling M,(Will I ever stop using that ‘my’?)— And though you didn’t know it—how could I have expected you […]
Posted inEssay
Sounds Gay, I’m In
Thirty years ago, Queering the Pitch loosed one of the most powerful institutional revisions in musicology’s long and anxious history. Published in January of 1994, the book posed a forceful injunction to the field at large: Queerness—with all its social and political ramifications—could and would no longer be ignored by the ivied academies of Western […]
Posted inInterview
“When I Came Out All of This Tension Went Away”
Sam Taskinen recently celebrated the premiere of a new staging of Wagner’s “Das Rheingold,” playing the giant Fasolt, in Erfurt, Germany. Possessing a warm, sonorous bass-baritone, she has sung many of the important roles for her voice type: Fra Melitone in Verdi’s “La Forza del Destino,” Kaspar in Weber’s “Der Freischütz,” and Angelotti in Puccini’s […]
Posted inProfile
Urgent Attention
Hear that? It’s the sound of a composer’s music changing. Timothy McCormack’s “you actually are evaporating” for violin and cello begins with a rapid flicker of timbres. Microtonal double stops, coarse strokes deep in the strings, laconic glissandi, the occasional single note, flit past. Ear and brain reach for the pattern. This is beautiful music […]
Posted inReview
Scouse Glyndebourne
It’s hard to approach events like “ENO does Eurovision” without a bit of skepticism, but I realize I might be going about things too cynically as I arrive in Liverpool in my Tár-inspired spring transition look: black trousers, black trench coat, black baseball cap, black sneakers, and a thick black jumper. I feel like a […]
Posted inInterview
A Point in the Soul
Before the COVID-19 pandemic, Brian Greis, a retired obstetrician-gynecologist who lives with his husband in Fort Lauderdale, Florida, attended some 200 classical concerts a year and spent up to eight out of 12 months on the road traveling to attend performances. Greis never harbored serious ambitions of being a classical musician, but since his childhood […]
Posted inRankings & Roundups
The Sex Lives of Women Composers, Ranked
We are regularly bombarded with information about Schumann’s syphilis, Mozart’s interest in rimming, and Tchaikovsky’s unfortunate love for his nephew. But what about the kinky exploits of women composers in history? In the name of gender equality in music, I have ranked the sex lives of 30 women composers in absolutely objective order of worst […]
Posted inInterview
“I Will Always Have a Place in this World”
Bassoonist-composer Joy Guidry is on a roll: In February they released their latest album, “Radical Acceptance”; they were the winner of the 2021 Berlin Prize for Young Artists; they will be starting a doctoral program in bassoon in the fall at the University of California San Diego. Guidry’s work extends beyond performing, composing, and improvising; […]
Posted inHistory
Caller of Spirits
When pianist Mark Austin began researching composer Peter Warlock, ahead of recording an album of his songs with the mezzo-soprano Anna Harvey, Austin focussed on the music and not the life. “I started to read a biography of Warlock and I got about halfway through,” he says. “This is unusual for me, as I’m normally […]