I first met the director Barrie Kosky when he wrote me asking if I would help him conceive of a spectacular pageant to open the 2026 Gay Games, an LGBTQ+ sporting event that, at the time, the city of Munich was vying to host. Kosky had been engaged to develop the opening ceremonies if Munich […]
Tag: LGBTQIA+
Posted inInterview
Luxurious Boredom
When countertenor Anthony Roth Costanzo was 11 years old, he performed in a Broadway production of “The Sound of Music” alongside capital-P Personality Marie Osmond. Out of the goodness of her heart, Osmond offered the boy a deep discount on her range of dolls, a line she developed with the television shopping channel QVC. Costanzo […]
Posted inProfile
Fleeting Visions
Classical music has a problem with embodiment. Whether it’s sexist critics focusing more on a female artist’s outfit than her technique or scolds who expect an audience to sit in stillness and silence until after the final note has sounded, many people seem to view actual human bodies as an obstacle to the deepest experience […]
Posted inInterview
Open the Closed Bubble
Launched at Glasgow’s Glad Cafe in the weeks just before the first lockdown back in March 2020, Over/At has grown to become more than just a concert series. It’s now more like a “trans music-making world,” to quote the project website, encompassing record releases, published sheet music, and new commissions. Supported by the Sound and […]
Posted inInterview
Sacred Time
If you’re going to the Metropolitan Opera, Wayne Koestenbaum, author of the iconic exploration of opera queendom, The Queen’s Throat, is the best guide one could hope for. After dinner at Rosa Mexicano across from Lincoln Center, we sauntered across Columbus Avenue to a performance of Mussorgsky’s “Boris Godunov.” For both of us, it was […]
Posted inInterview
An Object Beyond Music
In 2020, composer Sara Glojnarić won Berlin’s “Neue Szenen” competition, awarded the prize by a jury chaired by Chaya Czernowin. In 2018, her work “#popfem,” which artfully dismantles anti-feminist and racist propaganda, received Darmstadt’s Kranichstein Music Prize. “I’d never thought that my identity as a queer woman could have such a strong influence on my work […]
Posted inInterview
Struggling with Time
In September, conductor and Alarm Will Sound artistic director Alan Pierson managed a bureaucratic feat of Olympian proportions: traveling, with COVID-19 restrictions in effect, from the United States to Germany. His essential business: conducting the rehearsals, premiere, and later performances of Hans Thomalla’s new opera “Dark Spring” at the Nationaltheater Mannheim. In early October, Pierson […]
Posted inInterview
Across And Over
For 42 years, Daniela Huber has been a violinist in the Bavarian State Orchestra. She also plays chamber music, composes, arranges, appears in cabaret performances as part of a string quartet, and founded a jazz band in which she plays mainly piano. Outside the concert hall, too, Huber rarely remains silent. In 2014, a group […]
Posted inEssay
Women In Love
I first learned about opera’s tradition of trouser roles from a trio of puppets. As a toddler, I’d often watch the 1972-73 series “Who’s Afraid of Opera?,” which featured a trio of audience members created by puppeteer Larry Berthelson: Rudy the Lion, Sir William the goat, and Billy, the baby goat nephew of Sir William. […]
Posted inProfile
Withdrawal
In November 2014, Sony Masterworks released a documentary called “Cameron Carpenter: The Sound of My Life.” Intended to accompany the American organist’s album “If You Could Read My Mind,” released that August, the film included footage of Carpenter ripping off his T-shirt to reveal a sculpted chest; dancing at the once-legendary Berlin gay party Chantal’s […]