Alma Mahler was a witty socialite with an appetite for sex and an eye for talent. By early adulthood, she had become a prolific composer. More than anything, she aspired to be Great, with a capital G. But Alma’s claim to fame, so eloquently outlined in her obituaries, is the long list of geniuses with […]
Tag: Women in Music
Posted inReview
Seeking the Truth About Julia Perry
I am always bitter about going to the established-yet-edgy New York venue (Le) Poisson Rouge—their cheapest beer is $10—but their programs make it impossible to stay away. The kickoff event for the Julia Perry Centenary Festival and Celebration on March 13 was no exception. Even more irresistibly, it was one of the first-ever concerts dedicated […]
Posted inReview
An Introduction to Music Herstory
When I enter London’s Brazilian Embassy at 6.49 p.m., “Let HER Music Play” is already six hours old, but only a quarter of the way through. Organized by the Donne Foundation, which advocates for women in the music industry, it’s an attempt to break the Guinness World Record for the longest acoustic live-streamed concert using […]
Posted inBreaking
New Lawsuit Raises Allegations of Sexual Abuse at San Francisco Conservatory of Music
When violinist Lara Michaels auditioned for a place at the San Francisco Conservatory of Music (SFCM), most of the faculty members remained quiet, taking notes on her playing from behind a table. Axel Strauss, a professor of violin and chamber music, was the exception. “He stood up, he came around the table towards me,” Michaels […]
Posted inReport
The Price is Wrong
Of all the marginalized composers who’ve yet to receive the acclaim they deserve—and there are many—Florence Price is perhaps the one closest to getting her flowers. Dedicated work on Price has been happening since the 1970s without fanfare, with scholars like Barbara Garvey Jackson, Rae Linda Brown, and Helen Walker-Hill championing Price’s music. The 2009 […]
Posted inInterview
Everything I Am on This Earth
In Angela Gheorghiu: A Life for Art, a memoir-cum-book-length-interview coauthored with journalist Jon Tolansky, the Romanian soprano recalls an early-career performance of “La traviata” in Salzburg. She was already on edge when she learned that the original conductor had been replaced by Riccardo Muti—whom she had specifically requested not to work with, fearing the Italian […]
Posted inReview
Unfinished Cities
Nadia Boulanger was one of the most important teachers of the 20th century, but she was active as a creative artist for only a small part of her long life. Her opera “La ville morte” (“The Dead City”) was begun in 1909; composed in collaboration with her mentor Raoul Pugno, it’s her most substantial work, […]
Posted inRankings & Roundups
Augusta Holmès’s Most Virile Works, Ranked
Have you ever wondered why they call it the long 19th century? From Beethoven’s hammering martellatos, to Wagner’s massive, veiny works that seem to last forever, to Liszt’s immense hand size (…), the Romantic period was in many ways a musical virility contest with many—many—climaxes. But there was one composer who critics considered the most […]
Posted inInterview
Explosions of the Voice
When I spoke to Paola Prestini over Zoom, we immediately started talking about her dream to make an opera from Elena Ferrante’s My Brilliant Friend, a novel about two women whose lives are forged in response to each other. Prestini’s music is just as defined by her collaborations. In an interview ostensibly about her, she […]
Posted inInterview
Creative Heroes
Filmmaker Sheila Hayman’s new documentary, “Fanny: The Other Mendelssohn,” premiered last month in London, takes as its subject Hayman’s great-great-great-grandmother, the prolific composer Fanny Hensel. The film provides the rare experience of viewing a documentary devoted to one woman composer, its thorough research portraying Fanny as both a musical genius who composed masterpieces and a […]