I asked flutist Emmanuel Pahud what it was like working with harpsichordist and conductor Trevor Pinnock; Pahud answered that it was a gift from life. I asked soprano Carolyn Sampson; she said Pinnock is “the complete musician, combining talent, hard work, and care for the people around him.” A pioneer of the historically informed performance […]
Category: Interview
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The Accidental Avant-Garde
“Make it New,” Ezra Pound’s modernist call-to-arms, turns 90 this year. Producer and composer Danny L Harle still believes in the crux of the project. Harle’s story is made up of the kind of groupings and vanguards beloved by modernist-inclined histories. He was a key part of PC Music, an influential thing (label/art collective/aesthetic sensibility/lightning […]
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Everything I Am on This Earth
In Angela Gheorghiu: A Life for Art, a memoir-cum-book-length-interview coauthored with journalist Jon Tolansky, the Romanian soprano recalls an early-career performance of “La traviata” in Salzburg. She was already on edge when she learned that the original conductor had been replaced by Riccardo Muti—whom she had specifically requested not to work with, fearing the Italian […]
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Assembling an Organism
Lithuanian composer Justė Janulytė watches and listens intently to the mysterious wonders of our reality. Born in Vilnius in 1982, Janulytė’s pieces explore time and space through the large-scale texturing of sound, moving between minimalism, spectralism, and electroacoustic music. Because of this, listeners have often compared listening to her music to being bathed in an overflow […]
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A Struggle for Memory
The Catalan composer Hèctor Parra is the author of a large body of work that builds sonic bridges between arts and society, making connections with the work of writers and artists such as Marie NDiaye, Jaume Plensa and Händl Klaus, or scientists such as the physicist Lisa Randall. His multidisciplinary ear looks for collaborations that […]
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“We Disrupt What We Love”
On November 30, the opening night of the Metropolitan Opera’s revival of “Tannhäuser,” we had reached the engrossing song contest in the Wartburg Castle from Act II. Baritone Christian Gerhaher, making his house debut in the role of Wolfram, was singing “Blick’ ich umher,” the character’s song on courtly love. As the music and libretto […]
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Explosions of the Voice
When I spoke to Paola Prestini over Zoom, we immediately started talking about her dream to make an opera from Elena Ferrante’s My Brilliant Friend, a novel about two women whose lives are forged in response to each other. Prestini’s music is just as defined by her collaborations. In an interview ostensibly about her, she […]
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The Milliseconds Before the Now
Last month, St. Louisans faced a unique risk when comedian Jim Gaffigan and conductor James Gaffigan played two very different shows in the same city on the same night. Luckily, it seemed that ticketholders for each event got to the right theater without any confusion. “My show is with @jerryseinfeld,” Jim Gaffigan clarified on Instagram. […]
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A Way to Remain Alive
In 2005, a Belgian NGO came to Ramallah with a truck full of musical instruments to donate to the city’s nonprofit music school, Al Kamandjati (“The Violinist”). One of the boys who helped to unload the violins, violas, cellos, double-basses, and guitars was 15-year-old Shehada Shalalda, who lived in the neighborhood. It was an innocuous […]
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Mission Family
In 2013, Groupmuse launched as an app to help you put on live classical concerts in your home. It was the height of the app boom, and outlets from Wired to the Wall Street Journal praised Groupmuse as the AirBnB or the Uber “of classical music.” Those comparisons read differently now—but Groupmuse was never trying […]