Thirty years ago, Queering the Pitch loosed one of the most powerful institutional revisions in musicology’s long and anxious history. Published in January of 1994, the book posed a forceful injunction to the field at large: Queerness—with all its social and political ramifications—could and would no longer be ignored by the ivied academies of Western […]
Tag: Musicology & Theory
Posted inInterview
In Defense
Any day now, Stas Nevmerzhytskyi, the editor-in-chief of The Claquers, an independent Ukrainian online classical music magazine, will join the Armed Forces of Ukraine. A musicologist specializing in early music by training—“I graduated from the National Music Academy in Kyiv, which, unfortunately, still bears the name of Tchaikovsky,” he said—Nevmerzhytskyi founded the publication, with articles […]
Posted inBreaking
Music in the Background
Classical music-theory academia is a small field with limited professional opportunities, to say the least. So it might seem surprising that the Journal of Schenkerian Studies, an annual music theory journal dedicated to the work of Austrian-Jewish musicologist Heinrich Schenker based at the University of North Texas, has been searching for a new editor (or […]
Posted inPlaylist
A Richard Taruskin Playlist
Musicologist Richard Taruskin, who died on July 1 at the age of 77, once recalled a note he’d received from his colleague Susan McClary, saying that the two were “among the few comic writers in an otherwise grim and humorless discipline.” At times, this could be “funny ha-ha.” After quoting a set of debatable claims […]
Posted inInterview
Pact with the Dictator
In the summer of 2009, Valery Gergiev organized an exhibition in St. Petersburg called “Wilhelm Furtwängler: Maestro, Man, and Myth” as part of the White Nights Festival. At the opening, Gergiev gave a speech noting that Furtwängler had been attacked all his life because of his biography, yet “he served a great cause with all […]
Posted inReport
The Pitch of Living
“I’ve been interested in the 432 Hz conspiracy theories for a while,” began an email from my editor at VAN. “Would you like to spend some time using the 432 Player, a website that adjusts all your music to 432 Hz?” I consider myself a very online person, and yet, through a mixture of willful […]
Posted inEssay
The Intelligence of Bodies
When VAN asked me to do a review of an artificial-intelligence-created realization of Beethoven’s Tenth Symphony called “Beethoven X: The AI Project,” which is based on the skimpy sketches he left when he died, I more or less groaned in my reply. “Not for me,” I said. “I know pretty much what I’ll think about […]
Posted inInterview
Keep Them Up at Night
In June, I met pianist and musicologist Robert Levin at his home in Cambridge, Massachusetts. Complete editions of works by Mozart, Schubert, Beethoven, and many other composers filled his living room. As a musician, Levin has an almost uncanny ability to assimilate an oeuvre into the component elements of its style. It’s a remarkable process […]
Posted inOpinion
Music, in Theory
In November 2019, music theorist Philip Ewell gave a plenary at the annual meeting for the Society for Music Theory. Titled “Music Theory’s White Racial Frame,” Ewell’s discussion of equity in American music theory was supported by the example of Heinrich Schenker, whose documented racist ideologies have historically been historically overlooked by scholars. Ewell, who […]
Posted inEssay
A Most Violent Year
The enduring image of Beethoven, 250 years after his birth: His hair is untamed. His temperament is as mercurial as his mane. He is, both as an artist and a man, uncompromising and volatile; his whole personality wrapped up in the fateful knock of the first four notes of his Fifth Symphony, or the two […]