Few singers move through musical genres and eras with as much confidence as Anna Prohaska. Programs like “Maria Mater Meretrix” (designed with Patricia Kopatchinskaja) and her latest album, “Celebration of Life in Death” (recorded with baroque orchestra La Folia and Robin Peter Müller), combine everything from Hildegard von Bingen to George Crumb to Leonard Cohen […]
Author Archives: Hartmut Welscher
... earned degrees in development studies, Asian studies, and cultural anthropology from universities in Berlin, Seoul, Edinburgh, and London. He is a founder of VAN, where he serves as publisher and editor-in-chief.
For Better, For Worse
At the beginning of Ingmar Bergman’s “Scenes from a Marriage,” we meet Marianne and Johan, a couple being interviewed for a magazine story about successful relationships. In the next scene, Marianne asks Johan, “Do you believe two people can spend a lifetime together?” “It’s a ridiculous convention passed down from God knows where,” he answers.“A […]
“I Wished for 12 Seconds and Got 17 Years”
The Berlin Philharmonic is one of the greatest orchestras in the world, playing with it a dream job for many young performers—including bassoonist Mor Biron. Growing up in a family of musicians in Rehovot, Israel (his father, Avner Biron, is the founder and music director of the chamber orchestra Israel Camerata Jerusalem), Mor Biron dreamed […]
Walking the Path
In 2016, pianist Martin Helmchen took a step which many threaten but few follow through on: He left Berlin for the surrounding countryside of Brandenburg, his four daughters in tow. His new home is close to the town of Luckau, between the German capital and Dresden, where his wife, cellist Marie-Elisabeth Hecker, is a professor […]
Embodying the Moment
On August 30, the morning after a concert with the Gustav Mahler Youth Orchestra at the Elbphilharmonie in Hamburg, we met the Austrian conductor and Pittsburgh Symphony Orchestra music director Manfred Honeck for an interview. It was a typical program for Honeck, who has made his reputation as a vital interpreter of what can only […]
Not Only Art, But a Human Right
Under Taliban rule (1996-2001), instrumental music and public performance in Afghanistan were almost totally banned. Instruments that were discovered by the Taliban’s morality police were destroyed; sometimes publicly burned or “hanged” along with confiscated audio and video cassettes, televisions, and camcorders. Only the singing of certain religious songs and unaccompanied hymns of praise to the […]
Objective and Inner Realities
Last August, conductor Vitali Alekseenok flew from his home in Germany (where he divides his time between Weimar and Munich) to his native Belarus. There, he took part in both the national elections and the subsequent protests against the government of Alexander G. Lukashenko. Despite the brutal police violence he witnessed, Alekseenok wrote in an […]
The Time Remaining
On March 25, pianist Lars Vogt wrote on Twitter: “Today: fight against cancer, round 2 (chemo). Keep your fingers crossed for me…” A month and a half later, he’s made it to the cusp of round five. “Another six months like this, until October, 12 rounds in total, as long as my body holds up. […]
The Elephant in the Room
Update: February 25, 2022 Following Russia’s invasion of Ukraine on February 24, 2022, mayor of Munich Dieter Reiter issued the following statement: “I made my position clear to Valery Gergiev and asked him to also clearly and unequivocally distance himself from the Russian invasion to distance ourselves from the brutal war of aggression that Putin […]
Input
Look through older interviews with violinist Julia Fischer, and you’ll find a disturbing mix of chauvinism and sleaze: “A desirable German export with doe eyes and blond, angelic hair”; “young, sexy, and classical”; “ready for the runway.” One television anchor says she has the “looks, talent, and intelligence of a superwoman,” only to ask her […]