On a recent Wednesday, I met the Norwegian violinist Vilde Frang in a café in Berlin’s Prenzlauer Berg neighborhood: an area popular with classical musicians for its chic, international atmosphere. She had to cancel our previous appointment, writing on WhatsApp that she had a bad cold; then a doctor diagnosed her with mononucleosis. She described […]
Author Archives: Hartmut Welscher
... earned degrees in development studies, Asian studies, and cultural anthropology from universities in Berlin, Seoul, Edinburgh, and London. He is a founder of VAN, where he serves as publisher and editor-in-chief.
Posted inOpinion
The Prodigy Complex
A journalist, Janet Malcolm once wrote, preys “on people’s vanity, ignorance, or loneliness, gaining their trust and betraying them without remorse.” Great profiles always seem to contain an element of backstabbing. That’s why it’s wrong to write one of a child. When journalists betray their subjects, they are at least adults; they don’t need to […]
Posted inInterview
Established Meaning
For some interviews, you exchange what feels like dozens of emails with publicists. You’re asked what you want to ask. When I wrote to Reinhard Goebel to see if he wanted to speak to me, he wrote, “You won’t be needing to suggest topics for us to discuss. I can talk about a lot of […]
Posted inInterview
Dresden Wall
The standard translation for the acronym of the anti-immigrant, Dresden-based protest group Pegida is Patriotic Europeans Against the Islamization of the West. But the movement’s German name uses the word Abendland—roughly, “Occident”—a term that comes closer to evoking its irrational, almost apocalyptic, clash-of-civilizations mentality. The cellist Jan Vogler grew up in East Berlin and lives […]
Posted inInterview
Among Strangers
“The talk about music being a universal language is a used and abused cliché,” says Kinan Azmeh, the Syrian clarinetist featured in Morgan Neville’s film “The Music of Strangers.” While there are some basic building blocks of music, its sounds, grammar, and syntax—not to mention methods of teaching, learning, and performing—are as various as the […]
Posted inEssay
Sala São Paulo
On a Friday evening last December, my wife and I arrived at one of São Paulo’s major train stations, the Estação da Luz, during rush hour. Several metropolitan lines connect with regional transit to the suburbs there, and it was thronged with tired commuters. We elbowed our way past them and through the station’s labyrinthine […]
Posted inInterview
Immersion
VAN: Two weeks ago, I heard you play Bartók’s Violin Concerto No. 2 at the Berlin Philharmonic with the Staatskapelle Berlin and David Afkham, substituting for Patricia Kopatchinskaja. At practically the same time, you were touring with the London Philharmonic Orchestra. Three days after the tour ended, you played Beethoven’s Violin Concerto in Frankfurt, then […]