It’s that time of year again: The Eurovision Song Contest is just around the corner, coming to grace (or haunt) television screens across Europe and beyond on May 11. What began as an experiment in transnational broadcasting in 1956 has since become a global cultural phenomenon in which camp and geopolitics intertwine. Eurovision, now in […]
Author Archives: Paul David Flood
… is a musicologist whose work engages migration, geopolitics, and (post)coloniality in global popular music. He is a PhD Candidate in Musicology at the Eastman School of Music, where he is writing his dissertation on the Eurovision Song Contest.