During this pandemic year, distanced from the world, I’ve taken solace in Schubert’s 1827 song cycle “Winterreise,” which plumbs a man’s anguish as he travels through a wintry night away from the woman who has rejected him. The desolation of solitude, darkness and ice, and the lilting or storming interplay of piano and voice, have […]
Tag: #MeToo
Engineered Consent
In 1905, two years after his Met debut and two minutes into an interview with the New York Times, Enrico Caruso came tantalizingly, presciently close to coining the term “fake news.” Over oysters and martinis, the first question launched, the Neapolitan tenor looked at his interviewer incredulously: “Dolls? Dolls? Ma che? What dolls do you […]
The Perpetual Investigation
Six months ago, we reported on years of sexual harassment allegations at the University of Texas at Austin Butler School of Music against composition professor Dan Welcher. The allegations spanned a period of almost 20 years. They ranged from sexual comments to non-consensual touching, from intimate questions about students’ sexual lives to an unwanted kiss […]
Music’s Perpetually Open Secret
Brandon Scott Rumsey was accepted into the prestigious Masters’ program in composition at the University of Texas at Austin Butler School of Music in 2012. For a first-generation college student who took their first music courses at community college, it was a thrill. “It felt like I had hit the lottery—being someone who didn’t have […]
“Oh Yeah, He Does That”
As Laura* was beginning a career in artist management at a major London agency, she had to balance the new, 24-hour commitment with a personal issue: being stalked online by the friend of a friend. When she eventually went to the police, they told her to remove photos from social media and keep a “quiet” […]
Shush Money
In December, James Levine was fired from his emeritus music directorship at the Metropolitan Opera, after five men stepped forward to credibly accuse him of sexual assault when they were teenagers and young adults, over a period ranging from the 1970s to the 1990s. Some might have expected him to recede into the background. Instead, […]
Munich 1997
Norman Lebrecht’s book Who Killed Classical Music was published in 1996, and contained an infamous anecdote about a conductor, named under a pseudonym, abusing children. The culprit was widely rumored to be James Levine. (In a recent groundbreaking investigation, Malcolm Gay and Kay Lazar of the Boston Globe confirmed a similar incident to the one […]
Silence, Breaking
When I was 12 years old, James Levine began his tenure as Music Director of the Boston Symphony Orchestra. My father was a cellist there. This is not an essay about abuse—I never met James Levine. This is an essay about what happens when knowledge is warped by a cult of interpretive genius. It is […]