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“All They Have is Their Culture”

The total population of Estonia is just 1.3 million, but the diversity of its cultural scene belies the country’s small size. Estonian classical music alone boasts the renowned Estonian National Symphony Orchestra, several opera ensembles, an active choral scene, and groups specialized in early and contemporary music. Composers have often taken on roles as public […]

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Blood and Milk

In 2019, Janvier Murenzi wrote “Mata y’ amaraso,” a composition to commemorate the 1994 genocide against Tutsis in Rwanda.  Murenzi lives in Huye, in the south of the country. The 62-year-old is a lecturer at the University of Rwanda, where he teaches courses in social thought, philosophy, and political thought. He is also a music […]

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In Defense

Any day now, Stas Nevmerzhytskyi, the editor-in-chief of The Claquers, an independent Ukrainian online classical music magazine, will join the Armed Forces of Ukraine. A musicologist specializing in early music by training—“I graduated from the National Music Academy in Kyiv, which, unfortunately, still bears the name of Tchaikovsky,” he said—Nevmerzhytskyi founded the publication, with articles […]

Posted inPlaylist

A Maurizio Pollini Playlist

The 2014 EuroArts documentary portrait of Maurizio Pollini, “De main de maître,” opens with a literal portrait: that of the pianist’s great-uncle. The interviewer mistakes the painting for Pollini himself. Pollini recounts the life of his forbear: “He ran away from home when he was 16, in 1800, joined Garibaldi’s army, and took part in […]

Posted inEssay

Music, Putin’s “Powerful Weapon”

In January, late Russian opposition leader Alexei Navalny reported that the Siberian penal colony in which he was held blasted the song “Я РУССКИЙ” (“I Am Russian”) by Putin’s favorite singer, Shaman, every day at 5 a.m., right after the national anthem. But the dictator has also instrumentalized classical music for his own purposes. A […]

Posted inReview

29,313; or, where the archive ends

I. I had come to Munich searching for an archive I wasn’t sure was there. This was several years ago now, back when I was still fumbling toward a book on post-war opera—something about its relation to genre, history, and mourning; the sketches are still tucked in a drawer somewhere—and at the time, Munich was […]

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Turn The Machine Inward

The Met Opera’s new production of Bizet’s “Carmen” stars trucks. Or rather tractor trailers, ready to move goods. In the first act, which the libretto sets in a Seville cigarette factory, workers crowd around a loading dock, loading boxes into a trailer whose destination is unknown. In the second act, Carmen and her smuggler gang […]

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A Struggle for Memory

The Catalan composer Hèctor Parra is the author of a large body of work that builds sonic bridges between arts and society, making connections with the work of writers and artists such as Marie NDiaye, Jaume Plensa and Händl Klaus, or scientists such as the physicist Lisa Randall. His multidisciplinary ear looks for collaborations that […]

Posted inBreaking

Messing with the Fantasy

On Saturday, January 6, a group of activists taking part in the global Shut It Down for Palestine movement marched through a wintery mix of sleet and rain from midtown Manhattan’s Bryant Park to Lincoln Center, blocking the main entrance to David Geffen Hall just as concertgoers began to arrive for that evening’s performance by […]

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“We Disrupt What We Love”

On November 30, the opening night of the Metropolitan Opera’s revival of “Tannhäuser,” we had reached the engrossing song contest in the Wartburg Castle from Act II. Baritone Christian Gerhaher, making his house debut in the role of Wolfram, was singing “Blick’ ich umher,” the character’s song on courtly love. As the music and libretto […]