Round-number anniversaries of composers’ births and deaths can often feel arbitrary, excuses to keep programming the same music. Not Monteverdi’s 450th birth year. His operas are universal, important reminders that us humans have always had the same struggles, that we’ve been here before: 450 is a number that puts things in perspective. The conductor John […]
Tag: Conductors
Posted inInterview
His Own Renaissance
Thomas Sanderling was born in 1942 in Novosibirsk, during the exile of his father Kurt. He studied in Leningrad, the city of his childhood and youth, then moved to Berlin to continue. He made his conducting debut in his early 20s and could soon be seen in major concert halls and opera houses throughout the […]
Posted inInterview
Hierarchy of the Moment
The conductor Elena Schwarz grew up in Lugano, Switzerland, with parents who were both doctors specialized in internal medicine. Her recently work has emphasized contemporary music: she performed Olga Neuwirth at The Lucerne Festival, and Brian Ferneyhough in 2013 in Berlin, among other composers and ensembles. When we spoke on Skype, she spoke English fluently, […]
Posted inPlaylist
A Hannu Lintu Playlist
Einojuhani Rautavaara “mastered almost every compositional style of the 20th century,” the Finnish conductor Hannu Lintu writes. Perhaps for that reason, he is often grouped with other European mavericks outside the serialist tradition, such as Arvo Pärt and Henryk Górecki. He is also an indispensable figure in Finnish music history. In October, Lintu will be […]
Posted inRankings & Roundups
Maestro Matching
Who’s Your Conductor Soul Mate? Concept Arno Lücker · Adapted by VAN U.S. TEAM · Programming Steffen Görg · Date 09/22/2016
Posted inInterview
Established Meaning
For some interviews, you exchange what feels like dozens of emails with publicists. You’re asked what you want to ask. When I wrote to Reinhard Goebel to see if he wanted to speak to me, he wrote, “You won’t be needing to suggest topics for us to discuss. I can talk about a lot of […]
Posted inInterview
Thousands of Changes
In February, Andris Nelsons told VAN about conducting Wagner in Bayreuth: “You enjoy it masochistically.” On June 30, he asked to be released from his contract, with the festival citing “a differing approach in various matters.” The performance artist and provocateur Jonathan Meese, the director for this year’s production of “Parsifal,” was let go. It’s […]
Posted inInterview
Two Cities
For this interview, I reached Marin Alsop on Skype from Brussels, where she was conducting the finals of the Queen Elisabeth Competition for pianists. She usually performs a wide variety of repertoire—did she have to do the same piece over and over there? “Three Profokiev Twos, Three Rachmaninoff Threes, and otherwise only one of everything […]
Posted inReport
Doctor Baton
In pop culture, there are usually two ways of looking at the conductor’s baton. One way is as the focal point of his or her authority and magic: as Bernstein said, the stick as a “an instrument of meaning in its tiniest moment.” The other way is as a symbol of the conductor’s pretension and […]
Posted inInterview
Continental Shift
Ilan Volkov’s Tectonics Festival, in Reykjavik on April 14-15 and in Glasgow on May 7-8, conjures images of dramatic, continental upheaval. But plate motion is an incredibly slow process—land masses move at rates measured in millimeters per year. Listening to the names of the many avant-garde composers mentioned by the Israeli conductor in our Skype […]