It’s hard to approach events like “ENO does Eurovision” without a bit of skepticism, but I realize I might be going about things too cynically as I arrive in Liverpool in my Tár-inspired spring transition look: black trousers, black trench coat, black baseball cap, black sneakers, and a thick black jumper. I feel like a […]
Author Archives: Hugh Morris
Hugh Morris is a freelance writer and editor based in London.
Posted inInterview
“Stop Touring, Take Mushrooms”
Pekka Kuusisto and I have turned up to the interview looking vaguely similar. Two pairs of glasses, lots of short, dark-blond hair, and two not dissimilar jumpers meet on the screen: mine, a sludge-green skiing fleece borrowed from my dad; his, a bottle-green Icelandic-knit sweater made by his mother-in-law during lockdown. Kuusisto is an intense […]
Posted inPages Turned
Neither Peak nor Trough
At university, a composition lecturer once described his artistic endeavor as freeing “music from the baggage of serious high art music, without actually throwing away the bags.” A similar description applies to the classical music publishing industry today: discarding the baggage accumulated by “history of music” books of old, while retaining the means with which […]
Posted inPlaylist
A C Major Playlist
Some days, I sit at the piano and doodle, playing nothing in particular for some unspecified period until I eventually stop. What happens next depends entirely on the amount of music I’ve chewed through the previous week: adventurous or gentle, thickly slathered or flimsily constructed. Little is uniform in these twiddling sessions, save for the […]
Posted inBreaking
1,000 Symphonies In Your Pocket
There’s faint live music as I walk into Battersea Power Station. Around the corner from Apple’s giant, glass-fronted reception area, a man is performing an extremely committed rendition of Modest Mussorgsky’s “The Great Gate of Kyiv” on a public piano to a crowd of exactly three people, in the middle of an enormous shopping center. […]
Posted inPages Turned
In The Sonorous Air
It’s my first time visiting Berlin in springtime. Incapable of shaping my own destiny, I find a tongue-in-cheek itinerary for a couple of politics-themed hours in the German capital, designed for irony-addled people with time to burn. I decide to follow the plan with slavish sincerity, heading from Alexanderplatz down Karl-Marx-Allee towards Cafe Sibylle, a […]
Posted inInterview
Pain and Transfiguration
Often the most interesting nuggets of interviews arrive when questioning dissolves into chatting. “Sorry, that previous answer was a bit wishy-washy,” Robin Ticciati says on reflection: Following the tenor David Butt Philip’s recent Times of London interview, where he advised young UK singers to head abroad for the betterment of their careers post-Brexit, I’d asked […]
Posted inPages Turned
Aesthetic Camouflage
What do you do?” The Outline asked in 2019. “I’m a podcaster–vlogger–model–DJ,” they replied, rhetorically and hyphenatedly. The gig economy has brought with it a host of new containers (like the egregious “multi-hyphenate”) to describe artists who traverse multiple creative pursuits—artists who a generation ago might have been called a dandy, a flâneur, or, more […]
Posted inPlaylist
A March Madness Playlist
“What if we did a playlist of 32 musical marches to tie in with March Madness?” asked one VAN editor who definitely understands sportsball and did not have to google how many teams are in a bracket (or when March Madness takes place). As classical-music-cartoonish as the idea sounded, it did get us thinking about […]
Posted inBreaking
Agility, Fragility
Much like Harrison Birtwistle, I feel like I’m always writing the same piece, albeit one that’s more wordy, more political, and much more depressing. Following the lead of Arts Council England, who made a mess of both the announcement and communication of their National Portfolio Organisation (NPO) funding reallocations in November, the BBC too garnished […]