It took me a long time to even think about translating this interview. Helmut Lachenmann, the German master of a music often referred to as musique concrète instrumentale, a noisy, raw, gorgeous music, is almost as noted for his words as for his sounds. These words can seem inextricable from the language that he says […]
Author Archives: Jeffrey Arlo Brown
… has been an editor at VAN since 2015. He’s the author of The Life and Music of Gérard Grisey: Delirium and Form (Boydell & Brewer), and his journalism has appeared in The Baffler, the New York Times, and elsewhere.
Posted inInterview
Detail and Plasticity
Piyawat Louillarpprasert’s composition “Tremble” unfolded as an almost literal translation of its title. The strings tapped col legno battuto, the woodwinds played rapid hairpin swells, single notes were articulated repeatedly and passed throughout the ensemble. At one point, the conductor compared a section to a “rainforest in Thailand.” It was August 25, a sunny morning. […]
Posted inReport
Buried
From 1991 to 1994, Carlos Sandoval, a man with thick grey hair, brown eyes, and wide shoulders, was an assistant to the American-Mexican maverick composer Conlon Nancarrow. It was a defining, if chaotic, time for Sandoval. “[Nancarrow] was always drinking, composing, reading, just throwing away books, newspapers, scores, whatever,” he said. Nancarrow’s tendency to discard […]
Posted inEssay
Mezzo-sopranos from Outer Space
In 2015, the writer Lisa Bolekaja published a short story in Uncanny, a magazine for science fiction and fantasy, called “Three Voices,” inspired by the Morton Feldman piece of the same name. At the climax, a vocalist’s skin pigmentation drains from her body and her eyes pop out. “How could she sing with no head?” […]
Posted inInterview
Succession
I reached the French composer Tristan Murail on a Tuesday afternoon at his home in Provence. Since moving back to Europe from New York, where he taught at Columbia University for 13 years, Murail has built himself a kind of comfortable semi-retirement, though he is still composing and teaching: family, year-round good weather, separate studio, […]
Posted inInterview
Dissonant and Fabulous
From August 24 to 27, at the Mostly Mozart festival, the American choreographer Mark Morris will present a series of dances to music by the festival’s namesake; on September 8, he’ll show work set to Lou Harrison and Erik Satie at Texas State University. Speaking of Lou Harrison: call the Mark Morris Dance Center on […]
Posted inProfile
Mythology Of Our Time
This Tuesday, I spoke with John Adams by phone from his studio, in Northern California. He will be the Artist in Residence at the Berlin Philharmonic next season, and I thought I’d give him some unsolicited advice about techno music here. Does he listen to it? “Sometimes.” Berlin also has a reputation as a paradise […]
Posted inInterview
Artifacts
I studied music theory with the composer and writer Jakob Ullmann in Basel, from 2011–2013. For this interview, we met him at his home in Naumburg, Germany, on a rainy Sunday. Books on new music lined the corridor; books on religion lined his study. VAN: At one point, you used a professional biography that consisted […]
Posted inInterview
Voids
I met the composer Rebecca Saunders in her Berlin studio on a bright afternoon last week. Her new score was taped up around the wall; a page detached itself and floated to the ground. We started by talking about how we were not going to talk about her experiences as a women composer. “It’s an […]
Posted inInterview
Two Cities
For this interview, I reached Marin Alsop on Skype from Brussels, where she was conducting the finals of the Queen Elisabeth Competition for pianists. She usually performs a wide variety of repertoire—did she have to do the same piece over and over there? “Three Profokiev Twos, Three Rachmaninoff Threes, and otherwise only one of everything […]