When he wasn’t busy scoring for the likes of Sergio Leone, Pier Paolo Pasolini, Marco Bellocchio, Bernardo Bertolucci, Elio Petri, Brian De Palma and Terrence Malick, Ennio Morricone could be found hunched over a chessboard. He was a good enough player to hold former world champion Boris Spassky—who famously lost to Bobby Fischer in 1972—to […]

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The pianist Pavel Kushnir died on July 27 at the age of 39 in a prison in Birobidzhan, Russian Federation, apparently of complications from a days-long dry hunger strike. In late May, Kushnir was arrested by FSB officers on charges of incitement to terrorism. On his YouTube channel, Kushnir, under the username Inoagent Mulder—he was […]

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Collaborative pianists power the machinery of our musical institutions. Every weekly voice lesson, many instrumental lessons, and most music theater, opera and choral rehearsals need a pianist. We’re everywhere: from the very first steps of learning music to its crowning performances. No music department could function for a single day without a small army of […]

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Putting 50 pianos in a room creates a sense of occasion. On Saturday, I heard Georg Friedrich Haas’s “11.000 Saiten” (“11,000 Strings”), for 50 uprights tuned in ascending intervals of two cents and the contemporary music ensemble Klangforum Wien, at the Holland Festival in Amsterdam. Although the piece premiered in August 2023 in Bolzano, Italy, […]

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If Morteza Mahjoubi’s pianism is alive today, it is not out of devotion or praise for his person, but rather on account of something internal to his virtuosity: a sublime rubato that penetrates beneath the level of surface and releases melodies that cultivate and nourish the soul. Mahjoubi’s tone is so striking, its kinship to […]

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The 2014 EuroArts documentary portrait of Maurizio Pollini, “De main de maître,” opens with a literal portrait: that of the pianist’s great-uncle. The interviewer mistakes the painting for Pollini himself. Pollini recounts the life of his forbear: “He ran away from home when he was 16, in 1800, joined Garibaldi’s army, and took part in […]

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I asked flutist Emmanuel Pahud what it was like working with harpsichordist and conductor Trevor Pinnock; Pahud answered that it was a gift from life. I asked soprano Carolyn Sampson; she said Pinnock is “the complete musician, combining talent, hard work, and care for the people around him.” A pioneer of the historically informed performance […]

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Of all the marginalized composers who’ve yet to receive the acclaim they deserve—and there are many—Florence Price is perhaps the one closest to getting her flowers.  Dedicated work on Price has been happening since the 1970s without fanfare, with scholars like Barbara Garvey Jackson, Rae Linda Brown, and Helen Walker-Hill championing Price’s music. The 2009 […]

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Are we still meant to be listening to music? This is something I’ve been struggling with over the last two-and-a-half months, even when I am, by virtue of my profession, actually meant to be listening to music. Either the political ramifications of a work start to become too foregrounded (try listening to Maria Callas in […]

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“Beethoven” It’s always fun when an album nearly slips past your radar until it becomes the catalyst for controversy. This isn’t a slight to Alice Sara Ott, whose early recordings of Chopin’s complete waltzes and Beethoven’s “Waldstein” Sonata are among my favorite interpretations. More likely, her Beethoven compendium—including a live performance of the First Piano […]

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