Posted inReview

A Refusal of Habit

Putting 50 pianos in a room creates a sense of occasion. On Saturday, I heard Georg Friedrich Haas’s “11.000 Saiten” (“11,000 Strings”), for 50 uprights tuned in ascending intervals of two cents and the contemporary music ensemble Klangforum Wien, at the Holland Festival in Amsterdam. Although the piece premiered in August 2023 in Bolzano, Italy, […]

Posted inInterview

Fantasies, Urgencies

At Wigmore Hall in November, a solo piano recital by Vijay Iyer was like a set of rough clouds in a humid summer, breaking in brief, awesome moments. Hearing “Love in Exile” at the Barbican a few months earlier, the trio (Iyer, Arooj Aftab and Shahzad Ismaily) made a thick haze like a hot-warm drunkenness. […]

Posted inProfile

epistle; possessive

I. At 12:27 on September 30, you wrote me three lines that read “Just caught TV glimpses of dreadful flooding in New York.Hope you are OK.M xx” I replied only much later, half-past, (you, surely asleep) My darling M,(Will I ever stop using that ‘my’?)— And though you didn’t know it—how could I have expected you […]

Posted inProfile

Intuitive Refrains

“I want to build a new tradition, an aural tradition, transmitted via the ears,” Karlheinz Stockhausen declared in 1971. Such a tradition, he insisted, would avoid treating “the materials of music as separate from the process of composition” and would be “based on the direct experience of working with sounds rather than writing on paper.” […]

Posted inInterview

Threatening the Composer

Once again, I spot the lively gait of Matthew Shlomowitz walking towards me on a busy London road. Over the past year, I’ve come to know him better thanks to several shared projects. Behind the composer, co-director of the Plus-Minus Ensemble, and co-host of the Soundmaking podcast lies a supportive and passionate personality, one that […]

Posted inInterview

Create an Aura

In the composer Utku Asuroglu’s pieces, colors joust like a child battling with their plastic toys: passages of extreme, artificial, neon intensity sit alongside moments of sensitive beauty, moving from Starburst-candy orange to oceanic blues and grays. Lo-fi electronic glissandi and kazoos unravel into bare tendrils of melody. Many of his works traverse great textural […]

Posted inInterview

“All They Have is Their Culture”

The total population of Estonia is just 1.3 million, but the diversity of its cultural scene belies the country’s small size. Estonian classical music alone boasts the renowned Estonian National Symphony Orchestra, several opera ensembles, an active choral scene, and groups specialized in early and contemporary music. Composers have often taken on roles as public […]

Posted inOpinion

Music to Not Listen to Music to

On March 10, 1969, Philip Glass was performing his piano piece “Two Pages” at the Stedelijk Museum in Amsterdam when an audience member rushed onto the stage. “The next thing I knew,” Glass recounts in his memoir, “he was at the keyboard banging on the keys. Without thinking, acting on pure instinct, I belted him […]

Posted inInterview

Blood and Milk

In 2019, Janvier Murenzi wrote “Mata y’ amaraso,” a composition to commemorate the 1994 genocide against Tutsis in Rwanda.  Murenzi lives in Huye, in the south of the country. The 62-year-old is a lecturer at the University of Rwanda, where he teaches courses in social thought, philosophy, and political thought. He is also a music […]

Posted inReview

Seeking the Truth About Julia Perry

I am always bitter about going to the established-yet-edgy New York venue (Le) Poisson Rouge—their cheapest beer is $10—but their programs make it impossible to stay away. The kickoff event for the Julia Perry Centenary Festival and Celebration on March 13 was no exception. Even more irresistibly, it was one of the first-ever concerts dedicated […]