Rain is hardly a deterrent in Paris. It’s opening night for a new staging of the John Adams warhorse “Nixon in China,” and the imposing stone walls of the Opéra Bastille are framed by a quickly-brewing storm. Under trickling March skies, the house bears an uncanny resemblance to the military stronghold from which it gets […]
Tag: Opera
Posted inReview
Indifferent Flying Objects
Art is augmented reality. So when Bayreuth stages an AR “Parsifal,” to curiosity, doubt, disgust—the whole spectrum of emotions from desire to hatred—it’s worth taking a step back. Opera as a genre already augments reality. Janáček’s Katya Kabanova wonders why normal people can’t fly, opera lovers wonder why the same normal people don’t sing their […]
Posted inRankings & Roundups
The Opera Fuckboy Matrix
What, exactly, is a fuckboy? When I asked people on what remains of classical Twitter to tell me about their favorite fuckboys in opera, the responses I received showed that, even after a nearly-decade-old debate around the word’s manifold meanings and usage, we’ve yet to reach a consensus. I’m not here to define the fuckboy. […]
Posted inStuff I’ve Been Hearing
Symmetries of Desire
There are tenors who fuck, and then there are tenors who fuck. Sure, hearing Jonas Kaufmann pump out “Winterstürme” is good for some heady thrills, and I wouldn’t not tuck Jussi Björling’s “Ch’ella mi creda” in my hope chest. But let’s talk for a moment about the ténor de grâce. At first blush, they may […]
Posted inInterview
Trust the Truths
Can an opera album stand on its own as an opera? I listened to Christopher Cerrone’s 58-minute “In a Grove” while walking in Nebraska. I passed a deserted main street, barking dogs tied to porches, children learning to bike, and Trump 2024 signs, while listening to the story of a murder. Based on the Ryūnosuke […]
Posted inProfile
“What Do You Do with It When You Go Home?”
It’s hard to look at Joyce DiDonato as she sits on the stage of Athens’s Megaron Concert Hall, surrounded by 77 children, and not think of Maria von Trapp. “We’ll sit like this, because I want to sing something just for you,” she says during a rehearsal for that evening’s concert, speaking to the children […]
Posted inReview
Indeterminate Openness
As music director of the Vienna State Opera and then (briefly) of New York’s Metropolitan Opera, Gustav Mahler was steeped in the form. Despite this, he never wrote an opera. The closest Mahler came is probably the hour-long finale of the Eighth Symphony, which sets the final scene from Part Two of Goethe’s “Faust.” The […]
Posted inReview
Scouse Glyndebourne
It’s hard to approach events like “ENO does Eurovision” without a bit of skepticism, but I realize I might be going about things too cynically as I arrive in Liverpool in my Tár-inspired spring transition look: black trousers, black trench coat, black baseball cap, black sneakers, and a thick black jumper. I feel like a […]
Posted inPlaylist
A Grace Bumbry Playlist
Inevitably, many of the German obituaries for Grace Bumbry—who died on May 7 at the age of 86—have led with the phrase “Die schwarze Venus,” a reference to her barrier-breaking debut in Bayreuth early in her career. This is understandable (headlines only run so long), but also a shame: It reduces a decades-long career that […]
Posted inPlaylist
An Operatic Coronation Playlist
In Berlin’s Alte Nationalgalerie, there’s a portrait of Emperor Francis I of Austria (1792-1806) that bears a marked resemblance to King Charles III. Unsurprisingly, given how prone royals are to marrying within their own family, the pair are distantly related. At times, working on this playlist, which charts the royal lineage into which Charles officially […]