Are we still meant to be listening to music? This is something I’ve been struggling with over the last two-and-a-half months, even when I am, by virtue of my profession, actually meant to be listening to music. Either the political ramifications of a work start to become too foregrounded (try listening to Maria Callas in […]

The post Recordings for the End of Time appeared first on VAN Magazine.

“Vespro” & “Vespro della Beata Vergine” It’s rare that a new recording of a repertoire staple becomes a catalyst for a real-life version of the math lady meme, but Raphaël Pichon is exactly the sort of conductor you’d willingly follow down a rabbit hole. Given the relative recency of the Monteverdi revival, it’s also surprising […]

The post Just Like Holy Mary appeared first on VAN Magazine.

“Beethoven” It’s always fun when an album nearly slips past your radar until it becomes the catalyst for controversy. This isn’t a slight to Alice Sara Ott, whose early recordings of Chopin’s complete waltzes and Beethoven’s “Waldstein” Sonata are among my favorite interpretations. More likely, her Beethoven compendium—including a live performance of the First Piano […]

The post In These Times appeared first on VAN Magazine.

“The Beginning and the End” Earlier this summer, I was in Athens with Joyce DiDonato and the orchestra Il Pomo d’Oro as part of their EDEN tour—an ambitious multi-year program that will see the musicians perform on six continents and offer a host of workshops for local children’s choirs. While DiDonato and I shared a […]

The post Where Past and Future Are Gathered appeared first on VAN Magazine.

As the landscape of Twitter continues to become more gnarled and Mad Maxian, are those who remain becoming more revanchistly retrograde? At this point, between the algorithm and the audacity, you’d think no tweet could still be so remarkable as to invoke a pile-on. Especially now that the app is limiting the amount of tweets […]

The post Mediums and Messages appeared first on VAN Magazine.

There are tenors who fuck, and then there are tenors who fuck. Sure, hearing Jonas Kaufmann pump out “Winterstürme” is good for some heady thrills, and I wouldn’t not tuck Jussi Björling’s “Ch’ella mi creda” in my hope chest. But let’s talk for a moment about the ténor de grâce. At first blush, they may […]

The post Symmetries of Desire appeared first on VAN Magazine.

The late (do I even have to say “great”?) Tina Turner’s first songwriting credit remains an anomaly in her canon: a riff on “City Called Heaven,” with some of the original text interspersed with Turner’s own lyrics. It’s a delicate arrangement, just Turner’s voice in its fathomless low range and Ike Turner’s slightly hollow-sounding blues […]

The post Children of History appeared first on VAN Magazine.

What’s the carbon footprint for a beheading? And why is this seemingly the one question I am unable to answer via Google?   I mean, yes, I could just review the new studio recording of Puccini’s “Turandot,” including the role debuts of Jonas Kaufmann as the Calaf and Sondra Radvanovsky in the title role, as well […]

The post What You Sow appeared first on VAN Magazine.

“When you reach a certain age, you become aware, as a composer, that you will not be able to compose it all, that there is a limit,” writes Bent Sørensen. In 2014, at the relatively spry age of 56, Sørensen decided that the one work he wanted to compose beyond anything else was a St. […]

The post Children of Humanity appeared first on VAN Magazine.

If I had to name a favorite Strauss opera, “Daphne” would make a Cinderella-run to the center of my bracket. It doesn’t have the revolutionary spirit of “Salome,” nor the orgiastic horns of “Der Rosenkavalier.” It’s weird, but not in the way that “Die Frau ohne Schatten” is weird, and in terms of Strauss’s affinity […]

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